Introduction
Gianmario
Borio / Serena Facci, Forty years after... A pluralistic musicology for British
rock
The Cultural Landscape
John
Covach, The Hippie Aesthetic: Cultural Positioning and Musical Ambition in
Early Progressive Rock Franco
Fabbri, Not at First Hearing. Progressive complexity in English and
American bands, 1960-1967 Veniero
Rizzardi, Rock and the Composer's Self-Criticism New
Instruments and New Technologies Christophe
Pirenne, Romanticism vs Economy: Technologies and the Growth of Progressive
Rock Lelio
Camilleri, Loop, Transformations and Musical Space Laura
Leante, Multimedial Angles in Live Performance Compositional
Techniques Mark
Spicer, Genesis's Foxtrot Allan
Moore, Gentle Giant's Octopus Vincenzo
Caporaletti, Soft Machine's Third Poetry
and Lyrics Dai
Griffiths, Memorable Music, Forgettable Words? Dilemmas of Song in British
Progressive Rock between Underground and Mainstream, circa 1972
Roberto
Agostini / Luca Marconi, Voice, Melody and Lyrics in Early British Progressive
Rock WORKSHOP:
Compositional Techniques in Progressive Rock Bands Chris
Cutler (Henry Cow) Hugh
Hopper (Sof Machine) Toni
Pagliuca (ex Orme) ROUND
TABLE: Compositional Techniques at Genres' Crossoroad Mario
Garuti, Like Bored Angels Maurizio
Pisati, To teach and to trace utopy Nicola
Sani |